Salon: Álvaro Castillo: ‘Conversaciones Rurales’ Led Tour & Conversation
“Mexico city is still a very wide canvas to make interesting things. Anything is possible here.”
Karen is one of the leading contemporary artists in Mexico City. Because she wanted to spread her passion for the Mexican Art Scene in an educational way, she decided to start hosting salons with Gertrude.
5 Contemporary Artists Living & Working in Mexico You Need To Know About According To Karen:
1. Rafael Uriegas
Rafael Uriegas, Adan y Eva, 2012, oil on wood, 200 x 305 cm, Image courtesy of TOCA/Galería at Zona MACO via Installation Magazine.
2. Andrés Orjuela
3. Mateo Pizarro
Mateo Pizarro, Ladron que roba ladron, 3, 2010, Original graphite drawing, Original Collection, Ladrón Roba Ladrón series, Image courtesy of BLESSA 22.
4. Ary Ehrenmberg
5. Fabiola Torres-Alzaga
Fabiola Torres-Alzaga, House of Games, 2013, Image courtesy of Steve Turner Contemporary Gallery.
How would you characterize the art scene in Mexico City?
Mexico City is a very inspiring city. Every year I see so many projects emerging from different directions with different points of views. From galleries, museums, and collections, to more independent and experimental projects. There are so many talented artists coming from all over the world to share their experience. Some say it’s the “New Berlin”. The market here is growing; everything in art is moving very fast. With Mexico’s cultural and historical heritage, I find it to be an extremely creative and inspiring place to foreigners. Both it’s past and present are very interesting to people all over the world.
What is your involvement in this scene?
I’m completely involved collaborating with initiatives, galleries, museums, and art fairs. I have my own curatorial project, which is launching a limited edition project with fine art artist’s prints. I am managing and curating a new idea for an auction and am creating my own gallery. I also teach about curating as a medium for communication. Overall, I believe that one of my responsibilities, which comes from being immersed in the art world and being a curator, is to talk about art. My role is to explain an artist’s work and it’s importance. It is to be a guide on how to collect art, to give people perspective of what’s going on right now in the art world, and to really understand [the artwork] and its context. Basically, I hope to open minds and engage people to believe in art.
An image from Karen’s past exhibition Sing Sweet Songs of Conviction in Mexico City.
How do you think the art world in Mexico City differs from the art scene in New York?
I think there are so many opportunities in Mexico, and so many projects to create that haven’t been done yet. Mexico city is still a very wide canvas to make interesting things. Anything is possible here.
What is the best art spot in Mexico City that most people don’t know about?
I wouldn’t say that people don’t know about it, but to me, and I speak from experience, one can take an art experience anywhere (an exhibition, a piece of art, etc.) and make it a great spot. I adore the city’s buildings, Porfirian Architecture, Art Deco, and historical houses from every decade. I see an opportunity to make something there, to give it life. It is the same life that happens when an artist finishes a piece of artwork.
The Edificio Vizcaya in Mexico City is one of these historical and beautiful buildings in which Karen has done one exhibition and will do three more in the future.
Why is it important to pay attention to the art scene in Mexico City?
There is so much energy here. Galleries and promoters are engaging with exquisite and talented artists to present their work and ideas to the world.
As I said, artists, and even gallerists, from all over the world, are seeing and developing opportunities here. It doesn’t feel local anymore. Living here is starting to feel like an international art community from all over the world. So watch out world!
Want to host your own Salon? Start here.